Who's Who in Education
Sue Elliott, Director of Education…
…and the opera’s resident crazy Canuck. On the way to directing Seattle Opera’s education and community engagement programs, I count music lessons, family canoe trips, and farm work among my most formative experiences. Following an OPERA America fellowship in 1999-2000, I made my unintended operatic debut at Houston Grand Opera during curtain calls of Carmen in 2000 and have spent more than 16 years helping make opera matter as an educator, new work producer, community connector, strategic planner, stage manager, event organizer, and idea generator. As a recovering clarinetist and pianist, my investment portfolio includes Music Performance degrees from McGill University, University of Toronto and University of Southern California. I spend my free time on squirrel patrol in the Olympic Sculpture Park with dog Lilly, staring down at the long black line as a Masters swimmer and appreciating the power and beauty of this musical storytelling we call opera.
Barbara Lynne Jamison, Youth Programs Manager
Growing up in a family of musicians, I was very fortunate to learn the joy of music at a very early age. Road trips were opportunities to sing in canon and four-part harmony, and evenings and weekends were dedicated to orchestra rehearsals, piano lessons, and singing competitions…and, oh, yes…practicing! Bach, Handel and Rameau escorted me into a love of Baroque operas and cantatas, and I’ve spent most of my career singing these gems. While my music education began in lullabies and on road trips, it continued with Vocal Performance degrees from Florida International University and Manhattan School of Music. I began working as a teaching artist and choral conductor and found that these gave me insight into performing, and my performance experience guided me in teaching this art to others. Upon winning a Dean's Scholar award to Boston University, I began my pursuit of a doctoral degree in Music Education. Aside from making music, I love to cook. But don't ask me for a recipe—I rarely follow one. I enjoy helping anyone discover a piece of the musician that lives deep within each of us, and am busy helping to cook up new opportunities to do just that here at Seattle Opera.
Andrew Goldstein, Administrative Coordinator
As Sue likes to quip, my role at Seattle Opera is to be the “glue that holds us together”! My first job in the arts was with a symphony orchestra. As their Operations manager, I spent two years trucking around percussion gear and harpsichords, often to remote destinations in the middle of the night to prepare for the next day’s performances. I then dabbled in theatre, working at the New 42nd Street Studios in Times Square, New York. I was snatched up by the chamber music power-couple David Finckel and Wu Han, and spent three years as an Artistic Administrator under their guise. I had the distinct pleasure of planning artists and repertoire for a multitude of their organizations including Music@Menlo (San Francisco), Chamber Music Today (Seoul, South Korea), and ArtistLed Records (New York). At last, I find myself in the field of Opera, and am thrilled to be the administrative powerhouse that keeps this department running!