Eugene Chan recently made his international debut in Orff’s Carmina Burana at the Shanghai National Grand Theater, before reprising his role with the Los Angeles Philharmonic at the Hollywood Bowl in July with less than 24-hours notice. He made his San Francisco Opera debut in 2007, as Prince Yamadori in Puccini’s Madama Butterfly, and participated in the company’s Merola program production of Britten’s Albert Herring in the summer of 2008. Chan returns for his second residency with Seattle Opera's Young Artists Program after performing last season as Marco in Puccini’s Gianni Schicchi and L’Horloge Comtoise/Le Chat in Ravel’s Enfant et les Sortilèges. Chan made his Carnegie Hall debut in January 2008, and is scheduled for a National Residency with the Marilyn Horne Foundation in February. Upcoming engagements include the role of Danilo in Lehár’s Merry Widow at Opera Santa Barbara, and debuts with the Los Angeles Philharmonic at Walt Disney Concert Hall, Opera Theatre of St. Louis, and the San Francisco Symphony.